HOME
SEARCH
GALLERY
SVENSKA
ARTIST
FAQ
CONTACT
EMAIL

Oil Paintings Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists.

Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..

 

  Prev   1 2 3 4 5 6 7 8 9 10    Next
 

 

 

Pierre Renoir The Esterel Mountains oil painting

Painting ID::  3524

X 
 

Pierre Renoir
The Esterel Mountains

   
   
     

 

 

Pierre Renoir Aline and Pierre oil painting

Painting ID::  3525

X 
 

Pierre Renoir
Aline and Pierre
1887 Pastel Cleveland Museum of Art
   
   
     

 

 

Pierre Renoir Two Young Girls at the Piano oil painting

Painting ID::  3526

X 
 

Pierre Renoir
Two Young Girls at the Piano

   
   
     

 

 

Pierre Renoir Yvonne and Christine Lerolle Playing the Piano oil painting

Painting ID::  3527

X 
 

Pierre Renoir
Yvonne and Christine Lerolle Playing the Piano
1897 Musee de l'Orangerie, Paris
   
   
     

 

 

Pierre Renoir Woman with Lilacs oil painting

Painting ID::  3528

X 
 

Pierre Renoir
Woman with Lilacs

   
   
     

 

 

Pierre Renoir Two Girls Reading oil painting

Painting ID::  3529

X 
 

Pierre Renoir
Two Girls Reading
Los Angeles County Museum of Art
   
   
     

 

 

Pierre Renoir Suzanne Valadon oil painting

Painting ID::  3530

X 
 

Pierre Renoir
Suzanne Valadon

   
   
     

 

 

Pierre Renoir Lady at Piano oil painting

Painting ID::  3531

X 
 

Pierre Renoir
Lady at Piano
1875 Art Institute of Chicago
   
   
     

 

 

Pierre Renoir Study for Nude in the Sunlight oil painting

Painting ID::  3532

X 
 

Pierre Renoir
Study for Nude in the Sunlight
1875-76 Musee d'Orsay, Paris
   
   
     

 

 

Pierre Renoir Lady Sewing oil painting

Painting ID::  3533

X 
 

Pierre Renoir
Lady Sewing
1879 Art Institute of Chicago
   
   
     

 

 

Pierre Renoir Pensive oil painting

Painting ID::  3534

X 
 

Pierre Renoir
Pensive

   
   
     

 

 

Pierre Renoir Young Girl with a Parasol oil painting

Painting ID::  3535

X 
 

Pierre Renoir
Young Girl with a Parasol
1883
   
   
     

 

 

Pierre Renoir Jean Renoir oil painting

Painting ID::  3536

X 
 

Pierre Renoir
Jean Renoir

   
   
     

 

 

Pierre Renoir Girl with Sheaf of Corn oil painting

Painting ID::  3537

X 
 

Pierre Renoir
Girl with Sheaf of Corn

   
   
     

 

 

Pierre Renoir Baigneuse se Coiffant oil painting

Painting ID::  3538

X 
 

Pierre Renoir
Baigneuse se Coiffant
National Gallery, London
   
   
     

 

 

Pierre Renoir Claude Monet (mk06) oil painting

Painting ID::  21092

X 
 

Pierre Renoir
Claude Monet (mk06)
1875 2' 9 1/2 ''x 1' 11 3/4''(85 x 60.5 cm)Bequest of Mr.and Mrs.Raymond Koechlin,1931 RF 3666
   
   
     

 

 

Pierre Renoir The Toilette Woman Combing Her Hair (mk06) oil painting

Painting ID::  21103

X 
 

Pierre Renoir
The Toilette Woman Combing Her Hair (mk06)
ca 1907-1908 1' 9 3/4'' x 1' 6 1/4''(55 x 46.5 cm)Bequest of Count Isaac de Camondo,1911 RF 2016
   
   
     

 

 

Pierre Renoir Child with Toys(Gabrielle and Jean) oil painting

Painting ID::  28605

X 
 

Pierre Renoir
Child with Toys(Gabrielle and Jean)
1895 - 1896 Oil on canvas 54.3 x 65.4 cm Washington D C National Gallery of Art Collection of Mr and Mrs Paul Mellon (mk64)
   
   
     

 

 

Pierre Renoir At the Cafe oil painting

Painting ID::  28595

X 
 

Pierre Renoir
At the Cafe
c 1877 OIl on canvas 35 x 28 cm Otterlo Netherlands Kroller-Muller Museum (mk64)
   
   
     

 

 

Pierre Renoir The Castle ar Dolceaqua oil painting

Painting ID::  28610

X 
 

Pierre Renoir
The Castle ar Dolceaqua
1884 (mk64)
   
   
     

 

       Prev    1  2  3  4  5  6  7  8  9  10     Next

 

Pierre Renoir
French Impressionist Painter, 1841-1919 Pierre-Auguste Renoir (February 25, 1841?CDecember 3, 1919) was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau". Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings. His initial paintings show the influence of the colorism of Eugene Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Edouard Manet, and his early work resembles theirs in his use of black as a color. As well, Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th century master François Boucher. A fine example of Renoir's early work, and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work, the figure carefully observed, solidly modeled, and superimposed upon a contrived landscape. If the work is still a 'student' piece, already Renoir's heightened personal response to female sensuality is present. The model was Lise Tr??hot, then the artist's mistress and inspiration for a number of paintings. In the late 1860s, through the practice of painting light and water en plein air (in the open air), he and his friend Claude Monet discovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them. Several pairs of paintings exist in which Renoir and Monet, working side-by-side, depicted the same scenes (La Grenouill??re, 1869). One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Le Bal au Moulin de la Galette). The painting depicts an open-air scene, crowded with people, at a popular dance garden on the Butte Montmartre, close to where he lived. On the Terrace, oil on canvas, 1881, Art Institute of ChicagoThe works of his early maturity were typically Impressionist snapshots of real life, full of sparkling colour and light. By the mid 1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women, such as The Bathers, which was created during 1884-87. It was a trip to Italy in 1881, when he saw works by Raphael and other Renaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style, in an attempt to return to classicism. This is sometimes called his "Ingres period", as he concentrated on his drawing and emphasized the outlines of figures. After 1890, however, he changed direction again, returning to the use of thinly brushed color which dissolved outlines as in his earlier work. From this period onward he concentrated especially on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1918-19. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes. A prolific artist, he made several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently-reproduced works in the history of art..